Playing this violin is an absolute pleasure which would instantly appeal to any demanding violinist seeking an instrument that could serve any repertoire and most demands made on it. The tone is open, clear and focussed, speaking with utmost ease requiring almost no effort, putting it in the narrow bracket of what is essentially a solo instrument that belongs on stage.
It is unlabelled and modelling conforms largely to German norms; the high arching would be consistent with Saxon work. Wear patterns suggest it was made around 1860 to 1880. Authorship is unknown.
Workmanship in this violin is really good. The one-piece back and the ribs are of nicely flamed maple with a straight medium curl. The neck an scroll use more figured wood and reflect refinement and attention to detail. The scroll is truly elegant and beautifully crafted. The top is of good tone spruce with medium grain at the bass flank narrowing to the treble side.
This violin would suit an advanced to early professional player, seeking to explore and expand scope of performance with new doors of expression being opened. It's a very good violin by all standards.