The Andrea Amati label in this violin points to the model it is based on. However, this instrument manifestly has nothing to do with that maker and certainly is more recent, probably dating from around 1900 - 1920. It is truly difficult to attribute a particular origin to it, as it has some German characteristics, but is not entirely free from possible French roots, which make it truly an instrument of unknown origin.
This violin is very appealing to the eye, manifesting an elegance in modelling - almost feminine in character, and it commands admiration.
One is struck by the attractive nicely flamed two piece back of well figured maple with a medium curl. Similar wood was used in the sides but the neck and scroll are of fairly plain wood, but nevertheless well made. The top is of very good tone spruce with an even medium grain.
This violin is a real pleasure to play on, speaking with focus and projection.