Everything about this instrument speaks of a very high level of workmanship and attention to detail, pointing to a craftsman of high order. It is truly difficult to ascertain this cello's real age, because it appears to have been revarnished some time long ago and much of the aging and wear patterns that normally can be seen in the original varnish has been lost. However, this cello is probably much older than it seems to be and, all things considered, probably dates from the late 18th century or into the early 19th century.
The label ascribes it to the maker, 'Laurentius Guadagnini', dated 1743. Even though this is an attractive idea, this cello simply doesn't appear to be that old, unless it hadn't be used for many decades.
One consideration in establishing its true age is that it has a neck graft, supremely well performed and virtually invisible. These point to a workmanship of a very high order. The scroll itself is a work of beauty - refined and superbly balanced. The Fs are elegant and masterfully done. The arching is full and perfectly graded.
An interesting feature is the four ebony holding pins in the four front corners. Although not associated with any particular maker, some French makers did this for export to hot or humid climates.
The choice of materials show discernment. The two-piece back, sides, and scroll appear to be of the same wood - mildly flamed maple of medium to narrow curl. Considering the neck graft, one can assume that the neck is a replacement, probably done in the early 19th century. The wood in the neck was carefully chosen to match the maple in the rest of the instrument. The top is a beautiful spruce of straight medium grain, narrow at the centre and widening slightly to the flanks. The varnish is an attractive golden light-brown and oil-based.