This violin is essentially a concert instrument.It is characterised by an unusually strong tone with ample clarity, projection and fine balance over the full register and in all positions. It also has a darker edge to the tone with depth and warmth that doesn't fail to appeal.The impression is that it was made some time in the 1950s or even a bit later.

Although unlabelled, much about this instrument is reminiscent of the workmanship of Alfredo G. Galea (1909-1994), notably in its dimensions, modeling, and treatment of the scroll, purfling and corners, overall workmanship and in the varnish. The varnish is an attractive golden colour with a touch of amber, which largely was Galea's varnish of choice. However, since Galea almost always branded his instruments at various places in the inside - absent in this violin - it could not be stated with any certainty that this is his work.

A further opinion by a foremost international expert is that this violin might be the work of Charles Frank Langonet (1888-1963). This is not confirmed and at this time this violin remains of unknown authorship.

The two-piece back is of mildly figured maple with a medium to broad curl running straight across from side to side and also matched in the neck and scroll. The ribs are of wood with a narrower curl. The top is of excellent tone spruce with very even and medium growth lines. Workmanship throughout is superb.

Dimensions :
	Length of back: 35.6 cm Bouts: 16.8, 11.3, 20.8 cm

Condition :
	Structurally in impeccable condition. It has new pegs, a new nut and a fresh setup, including new soundpost and bridge, by Johan Grobbelaar.

Provenance :
	Withheld. This violin has been used for numerous public performances, concertos and competitions. It has a proven record as a solo instrument

Price :

On request