This violin no longer has its original label in it and its origin has not yet been definitely established. First impressions would suggest German authorship, but in reality much about it recalls workmanship associated with Michael Deconet in Venice in the mid-18th century, notably in the Fs, the scroll and the typical selection of materials.
Authorship aside, this is a very good instrument by all standards - very satisfying to play. The tone has the maturity and nobility that comes with real age and the violin is responsive with good power and projection.
This violin has been the subject of a major restoration some time in its history. For one thing, the entire top has doubling all the way around. (See photos - Doubling is the grafting in of new wood around the edge to secure the top and improve contact with the ribs.) This is normally a painstaking task - extremely well executed in this case. Furthermore, other than the neck graft, the G and E pegholes have been rebushed. A number of minor cracks, which are common in such old instruments, have been superbly repaired and cleated on the inside, and the violin has a very large securing patch inside the top covering the entire area where the bridge stands. Since the violin was sold in the 1956 by the Dutch violin maker, J. J. van de Geest, it would be a safe assumption that he undertook the work to restore the violin, but it could be that the repairs were done well before Van de Geest obtained the violin.
The result of the above restoration is that he violin is structurally completely secure and should remain as such for many decades, if not centuries to come.