After he settled in South Africa in 1938, the eminent Dutch violin maker, J. J. van de Geest began importing large numbers of trade instruments and bows into South Africa. Having been chief studio foreman for the George Hart & Son establishment in London for 18 years, Van de Geest demonstrated great discernment in his selection of trade instruments and always labelled them as "Made FOR J. J. van de Geest" as opposed to "Made BY J. J. van de Geest" which he reserved for his personal output. He sourced such trade instruments from various producers, notably in Germany, the Netherlands and also in Japan.
It's at times difficult to discern where instruments came from, as is the case with this very good ž-size cello. It is known that Van de Geest imported cellos from Japan - from the Suzuki factory - and this cello may well have come from there, as part of their top-end output in the early 50s. However, the excellent choice of materials and particularly the manner of varnish in this instrument would suggest that it may also have been made in Eastern Europe. It is simply labelled with Van de Geest's generic label and dated 1955, along with a reference number. That would be the year he obtained it and not necessarily the year it was made.
What strikes one immediately about this cello is the beautiful and nicely flamed back and sides - excellent wood! The top is of fine tone spruce. Workmanship is good and above all the reddish-brown spirit varnish is very attractive. It is an appealing instrument.
This cello sounds really good. The important South African concert cellist, Anzél Gerber, played on it recently and thought that it is a superb instrument for a very advanced student. The tone is big, responsive, clear and well-balanced and facilitates the execution of difficult passages.